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A brilliant and outragously funny satire of society, 7 December 1999
Author: Dave Joerg ([email protected])
"Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original.
Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name:
"Flodders -Eine Familie zum knutschen"
Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.
很平淡但剧情忽然离谱，但是全部看完就觉得好像又不太离谱
剧情真的是老套到我直接啃生肉都么有理解障碍。我也不想给四分啊，可那是我爱了22年的Jennifer Lopez啊，这难道不是妥妥的一整部梦女素材，恋爱游戏一样的又傻又甜的浪漫剧情，代了代了。
关于生死，关于爱！特别纯的美好。那句不留遗憾，不后悔，让我又想起了过世的母亲…难受得不行………
歌还蛮好听的，情节么，也就这样了。但是，男女主实在年纪太大，不适合这样的故事。帅哥猛男94年滴，选角和设定都难免生硬了。
剧情比较弱一些，但瑕不掩瑜。好多画面都拍得很好看，特别是几段歌舞。节奏也把握得不错。看起来没有负担。能愉快地看完。
emmmmmm，可能Lopez认为《marry me》拍一个几分钟的mv不足以表达自我，需要转而拍一个超长mv来推广单曲。
I still don’t know her.
标准老套爱情剧本，而且没有任何情节高潮不知道怎么做到的
在小时候，常听到这样一个问题，在爱你的人和你爱的人中选择一个，你会选谁？那时，我选择了爱我的人，我期望得到父母的爱，兄弟姐妹的爱，朋友的爱，但长大后，我反倒开始慢慢选择我爱的人，电影中有这么一句，好像是这么讲的：当你保护自己免受伤害，到最后，你会失去所有的快乐。这一部影片，告诉我们要大胆去爱，到最后，爱一定会给你好的结果
well 我可以理解每一个男人在不同年纪为女主这个角色心动，但男主？？难道就因为call me if you feel lonely? 不如看作jlo个人魅力大赏…
我已经记不得当时为什么要看这部电影了，但是我真的无数次为电影里的演员表情感到惊讶，为什么他们能这么用力做表情，而且还要给满屏大脸特写
女版“霸道总裁爱上我”，男主的鼻子太抢镜了。
故事框架很好，画面很好，bgm很好，演员很好，但是内容很苍白，穿插的恋爱的部分很不错一到人鬼那里就很泛，这部分多讲点会更好吧，结尾也很confusing好不容易见到了突然醒悟告别了，倒也不必为了正确而正确为了升华而升华，我倒宁愿看见一起走了，这种叙事和情节就不是很明白男主的停留究竟想讲什么，究竟有什么意义。总的来说，本应该可以拍的更好
网上流行的爽文套路，明星的加盟，加上精良的制作，适度地玩梗，完全可以成为一部合格的商业大片。我们真应该好好学学。
在如今的时代背景下，不该再拍一部《诺丁山》
改成歌舞片算了！每一首歌都好听！在情侣影院看完就像在看演唱会，好想站起来蹦。（女人就该发光发热，别为该死的爱情停下步伐！
这部剧简直就是为J.Lo量身定做的！我的J.Lo真的太美了！关键是，我怎么都没想到Owen Wilson和J.Lo竟然会有CP感！我种草电影里的好多歌了！尤其那个on my way！太喜欢了！！！！
大学的时候看过不少爱情轻喜剧，再过十年我仍然爱看，虽然俗气老套，比不了诺丁山，比不了恋爱假期，可是如今，也太需要了，突然明明妈妈们为啥能看的进去那些“玛丽苏”了
生死之间这翻译比平行爱情好，平行爱情看着像平行宇宙的感觉，电影实在表达的是人死后的留恋，就像人鬼情未了
头重脚轻，情节很俗很烂，有些地方真的没有任何说服力，剧情转折也让人满头问号，欧文已经不是《午夜巴黎》那个状态，总的来说就是抖音快手版的《诺丁山》，但这部浪漫喜剧又有某种程度的纯粹和复古。只是看着男女主的一举一动都在streaming，让我思考世纪之交那些年长的人看着《诺丁山》时是否一样无奈（应该不是）。
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