"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
悬疑的氛围很重，怪物的构想也很巧妙。故事情节太生硬，背景铺垫太零碎，感觉你剧情讲了点什么，又啥也没讲，我去翻了豆瓣的长篇，想看看有没有原著党或者厉害的影评人，科普一下宗教背景，把里面碎片化的信息连起来，之类的，啊也没有看到，氛围确实很勾引人往继续下面看，但是看完读到的故事线简单单一得让人有点失望，总是希望里面会有什么更深层次的含义来不枉我浪费这一个半小时。
有点泄气，桥段缺乏亮点，但从一个简单的“数数字”发散出这么诡异的概念和气氛也还算不赖吧 。
拍folk horror能不能事先做点功课啊，数到666就行了差不多得了
圣节那天和老妹一起看一致认为怪物的那部分比较有意思。
什么渣渣电影，浪费时间，女儿不见了一点也不着急，直到自己被锁起来了，依然很淡定。
用数学和物理来讲的邪教故事，说了一大堆，就是说他们家可以通向地狱，然后一家人都消失了，没有he真的有点难受。
有点意思，可惜没有展开，薛定谔和黄泉比良坂蛮让人眼前一亮！
自从温导低成本拍出口碑恐怖片，欧美创作者纷纷效仿，没内味。想低成本讲大故事
有个圣斗士星矢场景，巨蟹座迪斯马斯克直呼内行
只要是搬进独栋大房子断电肯定没好事，尽快搬走不行吗，还偏偏要家庭闹不和谐，女儿短短的出场演技在一瞬间点亮，很期待然后就结尾出场了一下…
连小学生都知道的鬼宅，这对儿父母全然不知，反应迟钝酿成大祸，不过这片子还是可以出续作，毕竟还有很多谜题有待破解。
一般吧，怪物造型比较掉san，女主最后复仇比较爽，电影前一小时铺垫除了填时长几乎没什么用。
什么玩意，能请个有本科学历的顾问吗？且不说女主把公式抄纸上的时候把散度抄成梯度，就是地上本来的公式都是印错的。什么1N,那明明是从i=1求和到i=n。无语。。。
前面节奏太慢，伏笔有点多，后面也没咋解释清楚感觉，女主是当主人了？给怪物送猎物？还变异了？怪物形象像日本的飞头蛮，设计的很不错，这个是亮点，可惜出场时间太少
外国的便宜大别也里面肯定有古怪，不是鬼就是妖怪。原来有的旧东西能扔就全扔掉，要不然随便不起眼的小玩意就能引发动乱，这次是播放喇叭，上上次是勇敢者游戏的棋盘，还有林间木屋里面各种老古董。不过那整面的书墙真赞啊！好想拥有
小强的女儿都这么老了吗？OMG。记得当初看24小时的时候，她不长这样啊！在感叹岁月无情的同时，不得不说这片有够屎的，烂俗不说，故弄玄虚才是原罪。自己讲不明白故事，就随便硬塞，其实能拍的更好的，就是不拍，就是玩儿
有点拖沓，不知所谓～整体氛围渲染还可以，勉强3星
怪物造型倒是眼前一亮但是宏观来看着怪别扭的
自从温导低成本拍出口碑恐怖片，欧美创作者纷纷效仿，没内味。想低成本讲大故事
女主的Uncle真头铁，先退了再叫帮手来干不好吗。
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