Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
比狙击手好看。怎么没有影评人看呢一个友邻评分都没有哈哈哈哈哈哈哈哈哈哈
在微博看了一些图，发现这部春节档很不一样，等来了资源，有点失望。确实有很炫酷的打斗和超惊喜的特效，但故事和剧情还是低龄向的，在我看来偏逻辑外还有很多漏洞。作为电影原创性也不够，机甲战士纳米战衣，星际战斗太空旅行，有很多其他ip的影子。更像是舶来品和熊出没的嫁接产物。一味追求特效打斗场面和技术，忽视了故事的本身也是致命的，作品不完整，不丰满，虎头蛇尾戛然而止，幼稚层面又多了层幼稚。故事高潮还是燃的，在烧经费特效和故事教育意义上也值得三星。羡慕现在的新生代能看这种级别的动画电影，也希望他们能接收到作者带来的说教。
大情节上有些拼凑，那段歌舞不错，整体比其他几部强
今年的重返地球，打斗十分密集，2岁多的“好战份子”小儿子第一次看电影，看得津津有味。开篇不久的“阿布群殴”，动作戏设计得很惊艳，且在如此密集和优秀的打斗之后，高潮部分的打斗还能非常燃！难得难得。
10点半的4D动感影厅，孩子很喜欢。希望熊出没越来越好。
028号。被影院贴片吸引，感觉这部应该会有点不一样的东西，所以如约来看，居然确实还行，全程节奏在线，孩子们笑得很开心，大人也基本能保持注意力。
转引五岁小朋友的话：零分。
没有上一部狂野大陆好看，上一部基因大战反派好歹有点脑子，这一部基本上是把所有人都进行了降智操作，用来突出熊二蠢萌的英雄地位，熊大光头强这次怕是连陪衬的戏份都算不上。本片的赛博朋克质感做的不错，感觉不比去年的差，对经典影视元素的运用也能看出导演是个有着迷影情怀的人，简单粗暴的元素输出虽然直接，但是不够高级，希望下一部能过提升一下人物的智商。
最有意思的一点就是有很多小孩一起的电影院有一种天堂电影院的感觉
第一次带着儿子，一家三口来看电影，有啥动画片就看啥动画片
技术上无可挑剔，但是剧情上可以见到很多电影的影子。希望熊出没电影能有更高的追求，做出有深度的动画，成为国漫大IP。
另外，打完架一个广告直接让我心梗！！
满满的漫威元素
熊大和熊二真的永远真诚可爱，但是故事情节很多都没有完善，逻辑也是很缺失的，但是还是有我的私心，四星
整体不错！但阿布的萌萌眼是借鉴《怪物史莱克》里穿靴子的猫吧，有时候记性太好也很痛过…
带儿子看了4部贺岁档电影，儿子说熊出没最好看...唉，必竟是熊二一样的智商啊，没办法只能打5颗星了
陪外甥女看的，
确实技术还可以，但是故事真的非常无聊，当然小孩子还是挺喜欢的。甜姐也长大了，估计这是最后一次看熊出没了吧。
对于小朋友来说太恐怖太暴力了，我都看的有点害怕。也就结尾能看看了。这个猫笑起来老是让我想起哪吒๛ก(ｰ̀ωｰ́ก)
比喜羊羊好看点，总体缺乏想象力
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