A most pleasingly atmospheric rendition of the tale, noirishly photographed and moodily set, this is the version which probably would have delighted Conan Doyle the most. There is one important plot change which enables the beautiful Alice Brandt to enjoy both a larger role and a more intriguing part in the proceedings. This change also builds up the parts of Dr Mortimer and Lord Charles, yet at the same time provides a nice introduction to the is-he-sinister or is-he-a-good-guy Barrymore, deftly played here by Fritz Rasp.
Despite the sting of its well-developed story, the spellbindingly atmospheric direction and the engrossing performances delivered by the entire cast, many fans may find this version somewhat disappointing. For at least three reasons: As in the novel, the part played in the narrative by Sherlock Holmes, though vital, is minimal. And in this version, not only has no attempt been made to enlarge his role, if anything both writer and director do their best to minimize it. Holmes does not even make his entrance for half-an-hour, and when he does finally appear, he has his back to the camera. It is Fritz Odemar, as Dr Watson, who receives the more favorable camera angles. And there is a purpose in this. It is Watson, not Holmes, who figures as the main protagonist of The Hound of the Baskervilles. For the bulk of the narrative, Holmes disappears. It is Watson and Lord Henry (Peter Voss) who take up the running. The movie is almost over, before Holmes closes in on the villain. And even so, this is not the obsessed, self-important Holmes we are accustomed to see taking charge. Another problem is that the title hound itself does not figure a great deal in the action, a downgrading which will undoubtedly rate as another major disappointment for fans. And finally, it could be argued that the script gives too much attention to Conan Doyle's red herring, the escaped convict, and not enough to the real villain.
This said, it must surely be admitted by all, that Odemar's interpretation of Watson—intelligent, charming, level-headed, courageous and resourceful—is much closer to Conan Doyle's conception than either the bungling, inveterately stupid Nigel Bruce or the self-effacing Ian Fleming.
One other player deserves special mention: Erich Ponto (Dr Winkel in The Third Man) who seems exactly right for Stapleton. A difficult part, superbly played.
- JohnHowardReid, imdb
剧情很一般，安志杰打戏很不赖，杨杏演技炸裂，网大佳作，赞一个
就问你们怕不怕
电影动作足够精彩，在网大里算是不错的了，但论剧情只能算中规中矩，两个主角的不死光环太离谱了，一个听声辨位的狂战士，如果按照正常逻辑可能活不过半程。从龙王到金刚，一场一对多一场一对一，安志杰打得比较过瘾，可毕竟是警察出身还有一丝善念。杀人还得杨杏出手，看她用刀用枪行云流水，这才是观众期待的爽点。
把噱头这事搞好也算挺有本事，但坏人都非要用哈气音讲狠话，一下子就让逼格很低
故事简单明了，就是正常故事讲述，情节没有太大起伏，狗狗变坏有点出乎意料。哥哥和妹妹一起冒险，还挺有趣，三分之二处升华——怎么才能让菲拉萌们接纳我，喜欢我，到现在我才真正明白，最重要的就是跟你在一起，一起全力以赴。
对港式警匪片的套路复制简直是原样照搬，所以影片唯一亮点只能是卖力搞笑的叨叨了。。。
因为对安志杰的观感不是太好，看到片名的时候，好几次略过去了，今晚闲来无事打开看看，竟然还不错。虽然剧情主线还是稍显老套的退役警察勇闯虎穴救女儿，角色设定为因指挥失误导致失明且被警队开除的设定，是俗套，但本剧因为里面有个女反派惊艳表现，让本剧与一般的警匪片有了决然不同的氛围。安志杰的动作戏依旧精彩，文戏方面与其剧中的女儿毫无父母感，但是也不太突兀。而利用男主去剿灭仇敌，并想最后杀掉男主的反派女主角，才是本剧中最惊艳的角色，女演员杨杏饰演的杀手吉娜，动作流畅，眼神邪魅，充满了戏剧魅力。本剧动作场面自始至终，剧情虽不复杂，但是节奏很快，比某多数剧院电影更值得一看。
最好看点是拴着狗链的情节真多，估计导演有这方面的特殊癖好。我嘛，看着也挺过瘾啊。咳咳咳，好像说错了什么。
各种塑料普通话非常丰富，包括川普，上普，东普，台普以及不知道哪里的普，总之只需要听不同的普通话口音就可以分辨角色了，非常贴心的考虑到了视障人士的观影需求
难得演主角都被女反派抢锋芒！鼻子没整好？山根看着好奇怪。。
本想给两星，因为盲人的设定，动作设计很多地方还是太牵强。现实中压根不可能。另外血浆都掏不起，用红色烟雾弹当血浆的特效。所有反派都疯疯颠颠的。但是安志杰角色塑造挺好，另外亮点就是喜剧而无厘头的拉玛探长。所以加一星。给及格分，鼓励国产电影越做越好。
动作设计还是比较凌厉有力的，安志杰的表演还是很不错的，过去他老演反派，但我觉得他人很帅，动作又潇洒漂亮，不知道那么多导演主要看中了他什么而让他演反派？女主竟然是反派，动作还可以，但表演有些生猛了……故事倒是完整，但有bug，比如金刚的衣服一会有血渍，一会儿没有，希望但要注意细节
菲拉萌，真的超萌。想养一只可可爱爱的小白是不是有点危险🤣
非常欢乐的一部动画电影，适合大小朋友观看。
所以就是说国内配音为什么要加那么多奇奇怪怪的网络流行语啊…好尬… 果真是儿童电影来着，就剧情也有点点尬…还老是有种皮克斯动画的既视感？但是又是很劣质痕迹很重的那种…那段唱歌尬的我直接原地升天886
全片是飓风营救加小丑女结合体？
挺好看的，就是最后一段没有肉搏战，情节略狗血，导致观感上比较差，总体来看是良心网大，水准与十多年前吴京的《黑拳》《狼牙》港产动作片差不多，武戏相当火爆过瘾。杨杏有点像辛芷蕾加文琪，安志杰身手还是利落干脆。
略差，竟然看睡着了。这几年的反派就没一个正常点的么？以前的反派都是低智商工具人，现在都是装疯卖傻工具人，一个个表情狰狞，动作夸张。有几下拳拳到肉还特写慢动作，其他明显是错位。……
这电影的套路已经看了八百遍了。
如果有走嗜人的血夜路线没准还能更强点！
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