Samedi lives in a village in Wallonia. He works from time to time as a gardener and has a close relationship with his mother. Everyday life in the village, which has seen better times, Samedi's quiet and friendly nature and the still largely intact rural setting stand in stark contrast to the heroin addiction Samedi has suffered from for over 20 years, which only his family knows about. His relationship with his mother changes when he makes another attempt to get clean. Paloma Sermon-Daï’s documentary paints a restrained, highly precise picture of a relationship marked by affection and love but which is also difficult to define in relation to Samedi's problem. As the camera observes the long, concentrated conversations he has with both his mother and his therapist, a picture of addiction comes into view which is part of a family structure. This becomes embedded in something larger in turn via the individual images of the village. Petit Samedi creates an image of dependence in which individual, family and social coexistence are intertwined, without falling into the trap of saying what might be able to solve the problem.
感情线如果能再“虐”点就好了，男女主一直朋友相待最后搞个意难平什么的，也能弥补感情戏的空虚
很开心这个电影里面没有着重的刻画爱情，亲情师生情友情爱情的占比都差不多，很舒服。
男主虽然有点理想化了，不过电影创作，是需要一些对美好的相信和期盼的
韩老师和他妈妈真的都太好了，也只有这样的母亲才能教出韩老师这样的人吧
人性应该是复杂的，多样的，而这个电影只展现出美好的一面，有点脱离现实。
风景很美，剧情一般，人物角色都毕竟突出善良奉献，偷猎者也坏的没技术含量，中等偏上的作品吧。
节奏感不是很好，剧情安排的还算合理，希望下部电影把节奏弄得更好一点
每个风景特写都可以直接截图做桌面了，太美了，总有一天我要亲眼去看看
支教真的很辛苦很难，老师太不容易了，师生情谊和爱情都自然又含蓄，看起来太舒服了！
其实很多地方的泪点都已经预料到了，但是真的来的时候还是没有忍住眼泪
看到男主坐在轮椅上的时候，我也想过，将来我会不会也是这样，笑看下一代朝阳升起
无法理解这种无私的爱，可能是细节铺垫不够所以说服不了我吧，但是演技是不错的。
孩子们的心灵和眼神简直跟西藏的星空一样美，哈哈哈哈哈，真诚.单纯.善良，这不就是最宝贵的财富吗？有机会一定要进藏去看一看，好喜欢这样的环境
跟着主人公韩松一起慢慢融入到藏区生活，当地的风土民情、师生情谊不仅仅感动了韩松，也让观众跟随着主人公一起满满发生转变
可，这就是人的价值吗？
师生情谊刻画的太好了，孩子们都是出息的好孩子，老师能这样奉献一生，是值得的。
到后面真的喜欢上了所有角色，都是很鲜活的人们努力生活着，就是僧格死了太让人难过了！
韩松老师将自己的青春，甚至生命都奉献给了教育事业，这种无私的奉献精神，值得我们学习。
感情戏不多，男女主感情升温有点快，也没什么细节刻画，师生情刻画的倒是不错。
牺牲和奉献是很伟大让人敬佩，但是感觉挺多角色其实没必要领盒饭的，大哥没必要死吧
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