Michael Hanake meets the Blair Witch Project in Kim Gok's Exhausted, a vicious kick in the pants to everyone in the audience, all in the name of "style." A man meets a mute woman, and as any reasonable person would do in such a situation, makes her his prostitute. But the pimping is the least of our problems. As we get exhausted by the grainy faux-16mm camerawork, the film gets increasingly deranged. The closest thing we get to a sympathetic character is the pimp, simply because he's got too much self-respect to fuck a mute whore. Everyone else is either a gory mess, or a gory mess in disguise. Even the prostitute, which even a thug like Lars von Trier would make likeable, comes off as a delirious scary woman whose shrieks strike like blows to the jugular.
Kim Gok has seemingly abandoned the Marxist critiques of his short films, going instead for mindless brutality which culminates in an endless bloody freak-show involving, among other things, a pair of scissors going where pairs of scissors should not go. In the middle of the bloodbath, we get an extended long take of the beaten prostitute's near-dead face, but it does not elicit sympathy or pity. In fact, images of the victim only make us shy away in shock. (Indeed, the extended sequence led to continuous walk-outs during the Pusan screening.) The long take invites us to stare, but it assumes we're as sadistic as the victimizer (and the film) is. Meanwhile the sound-effects (mostly a rumbling bassline that shakes the theater) pulsates with pure wickedness. With Hanake, shock creates reflection, which asks that we be critical. Here, we only want to escape. I suppose Exhausted has some virtues; the shots of drilling machines and factories provide a mesmerizing phallic backdrop to the pimp and prostitute's pursuits. But everything else hurts too much. At least Kim Ki-duk lets us breathe. Exhausted makes Bad Guy look like Lady and the Tramp. (asiaarts.ucla.edu)
合家欢电影。有些衔接不够自然。剧本再好好打磨就好了。
表面上是破了局 撕了面子保了里子 其实留下各种烂摊子——自命不凡药不然 大逆不道黄烟烟 耿耿于怀许愿……五脉子孙后代也太不让人省心了——药丸💊
就像在压力山大的平日早晨来一碗味道熟悉但还是很香的牛奶燕麦片。因为狗勾可爱，所以影响大人判断的因素可以忽略。
儿童向合家欢电影 就是个童话故事 大概因为我已经是个无趣的大人所以总是会想到很多很现实的问题 如此大的一条狗的伙食费和排泄问题要怎么解决（ 最后喜欢追球这点还是无法控制这样总有一天会出问题（ 反派除了偷狗这点过于粗暴其实为了研究这个目的也没多邪恶 不过反正是童话 最后总会HE问题总会解决的 萝莉和狗的可爱度都比较一般 所以总体感觉还是比较一般吧
内容属于轻喜剧合家欢类型，讲真善美，勇敢做自己，适合小朋友
煽情段落和迷局设定一样刻意…视听都是为当下一个片段服务的…这片倒挺像个商业局的…然后细想了下假中藏真难道是说日本保留了真中国文化？
《故事会》大电影，布景好也救不了片子太水了。
just a magic.
简单，低幼，又温暖。一个社区，甚至一个城市都因此而美好。
溫馨輕鬆，舅舅的角色也滿可愛的。劇情不要太要求，就是真人版卡通，不過適合合家歡。
看完电影，总是感觉这么可爱的大狗狗，能去哪里能rua呢？
尚可一看的动物家庭片，有些情节设置比较一般，尤其是最后小女孩的演讲即使考虑到影片的风格定位也略显尴尬强行。
？？？？？（我是真挺喜欢这故事的，但作为电影，没头没尾没背景，后期特效过头，我就不信不知道这故事的人看得懂！）
狗子又大又萌，谁会不喜欢这么可爱的狗子呢。
就像自己凑合做的饭菜，谈不上美味，但可以饱肚，过个几天就会离开身体，不留印象
一个由两个失落的灵魂引发的故事，最终以一个大家庭结尾，没有大场面，只有温馨的故事，有时我们需要这种治愈阖家欢的电影
哈哈哈哈，美帝白男废柴的问题靠中国有钱人来解决的思路。白人小女孩在学校受欺负，中国小男孩伸出援手，不仅善良而且还是个天才小黑客；他家像个博物馆，他爸爸在上海有个珍奇动物园。看得我觉得中国人民真的是站起来了。。
大红狗！！啊啊啊啊啊啊！！太可爱了啊啊啊啊啊啊啊啊！！！！
童话改编，中规中矩。爱不会因为多大的困难而渺小。
从什么时候开始人们不再真诚？
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