With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
总体来说，剧情比较无聊。可能本片使用的套路和公式没有跟我形成共鸣吧。有一方面原因是因为选角都不够养眼。秃头白大叔+黑人死胖子的组合毕竟颜值偏低。当然如果你喜欢黑人嘴炮式幽默那另当别论。杀手和废柴从互相不顺眼，到彼此救赎的故事也不算抓人。所以影片成了温吞水。小孩看不懂，大人不过瘾。
3.5/5 本來評價差到有點勸退我打開來看，結果晚餐殺時間來看其實意外地不錯，是不知道《殺手保鏢2》被派區克修斯拍成什麼鬼樣子，但是《玩命大臨演》在以娛樂為前提下還真的有被娛樂到，凱文哈特那張嘴一如既往停不下來，傑森史塔森棄演改換伍迪哈李遜火花其實也不錯，伍迪也是個硬漢，演殺手無違和感。
剧情是真套路，不过几段动作戏还是很好看的，尤其是最后一段……整体就是轻轻松松啦
两个主角之间的化学反应不错 一部还可以的动作喜剧 轻松搞笑
所有的内容都有浓浓的似曾相识感，用阴差阳错的巧合来构造喜剧框架，凯文哈特的话痨是最大的看点了吧，偶尔的笑点也能博人一笑，作为喜剧片还是勉强够格了
THIS MOVIE IS FUCKED UP FUN ! 凯文哈特，太傻逼了！笔者注：傻逼在这里是褒义词。
Kevin Hart真的是为喜剧而生的，同样的设置真的不知道比Ryan Reynolds高明了多少，可以说他盘活了很多大多数较为平庸的戏份。而且万万没想到竟然还有亮点，就是后段健身房大乱斗那里，谁能想到它是用长镜头来拍的，而且动作设计竟然还不错…各地刺客的设置也很惊喜，the man from Tokyo竟然是山P，人笑没了好吧，怎么讲英语也是欠扁的チャラ男路线
呕吐逼供成功你敢想？讽刺黑人偷警车也还行？总之，是部中规中矩的喜剧动作片，最后出现了那么多来自各地的男人，感觉有点像疾速特攻那种全世界杀手的设定，这样一来，这就可以一直玩下去了，说不定下一部搞个小黑抱着孩子完成任务也未可知
新时代探探版《PS搭档》，虽然是好莱坞拍腻了的套路，但放在亚洲的文化氛围内还是有点新鲜感的（韩国影视最近几年的飞速进步与这个战略不无关系），何况主演也是很有魅力的。全钟瑞从燃烧到这部，感觉以后会小火，期待纸钞屋。
爆米花解闷片儿，没有《王牌保镖》好玩，最逗的就是那句“能伪装得这么业余，这人一定很专业”哇哈哈哈！
中规中矩到没什么亮点，故事很标准，如果拍成R级会更好吧，哈特话痨到起耳茧
美国拍了很多的炮友变恋人的故事，表演到位，唠嗑真实，就是不够新鲜了，当然亚洲人越来越西化了
笑死了哈哈哈哈我喜欢
孙锡久好sexy 虽然人设有点胆小 女主很cool 片子很open 蛮喜欢的
看完什么都没记住的爆米花电影 看得时候感觉还挺轻松愉快 假期聚会看看还不错
纯粹就是为了在飞机上打发时间看的。。热热闹闹还有点好笑
凯文哈特一直是这个风格 生活中真遇到这类人 估计都得发疯 最后看结尾彩蛋 貌似还有续集 这类屎尿屁你敢信
凯文哈特一直是这个风格 生活中真遇到这类人 估计都得发疯 最后看结尾彩蛋 貌似还有续集 这类屎尿屁你敢信
喜剧演员多少都带着鲜明的个人色彩，Kevin Hart也不例外，不过这也是卖点吧。
爆米花解闷片儿，没有《王牌保镖》好玩，最逗的就是那句“能伪装得这么业余，这人一定很专业”哇哈哈哈！
Copyright © 2015-2023 All Rights Reserved
