Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
电影调色是真没的挑，非常抢眼的马卡龙色混搭，满屏都在洋溢着青春的气息；但这种疼痛记忆的糖水片也确实没在我喜欢的点上，以至于看的也是不痛不痒。顺带说一句，电影的几首配乐蛮不错的，比较喜欢。
我戳美翻啦 片头阳光海岸骑车的复古画面太🍵了 虽然被剧透bl线be了 但这部就是戳美颜纪录片而已吧 希望戳多下海 毕竟🍵已经上岸了 ps trouble 太好听了 海滩戏🖐🏻️⭐
过于平平无奇了，这老套剧情、几乎全程bgm，如果是国产bg绝对是会被我打一星的程度，戳演戏也是玩票吧，不然不会第一次是橡皮擦男孩，第二次就是这种劣质bl小说，本质还是在演自己，台词直娼霉霉真是太好笑了，以及果然本质ntxl都会记某届的奥斯卡影后是谁的程度笑死//estha的胸毛好可爱
6/10。导演处女作？ Troye的个人色彩还是过于强烈了，and严重怀疑导演就是戳的粉丝吧，哈哈哈哈。 去掉很多MV式的画面，剧情更加紧凑一些其实立意不差。 就是女闺蜜的感情戏明显有点水了，既然这样还不如不去刻画。 如果是戳的粉丝，那么还是好看看的。
又是一个夏天。简单小清新，和《佛罗里达乐园》一样让我对佛罗里达有了马卡龙滤镜；配乐不错，喜欢那个轻快鼓点插曲，space oddity出来惊喜到。troye演技可以的，很适合上镜！（可以说几乎是啃的生肉）
谁不喜欢甜甜的恋爱呢？何况还有绝美的戳爷。
挺真诚脱俗的，troye走心了。还有谁会不喜欢David Bowie呢呜呜呜
夏天…总是让我想起普吉岛和Call me……我爱的CP只要遇上夏天绝对会Be🥲🥲
看完之后立马查了：1.此戳爷真的是彼戳爷吗？Yes！ 2. 戳爷真的是Gay吗？ Yes！ （妈耶，太梦幻了
加长版音乐电影 剧情上没什么意思 骑车的那段特写有点感觉是为了模仿CMBYN 音乐也不够好听 3星了事
戳爷和甜茶好像🤤但是茶更有古典气质一点//越来越喜欢看帅哥谈恋爱的电影 提醒我们爱不止存在于两种性别之间🌈//美国片怎么总喜欢用格格不入的 双亲不完整的 和奶奶外婆住在一起的男孩做主角开头
海边的仙女棒、夜晚的双人自行车、无人游乐场、并不好吃的乳蛋饼、打折冰沙、提前打烊在零工超市开爬梯、翻窗而入朋友的房间。青春的元素，无论怎样都是轻盈活力的，至少从远处来看是的。
这种甜腻的美学风格搭配海边热风和清新的两人自行车，明亮的夏天永远装着小男生的心事。把戳爷拍的特别美特别艳，青春小品
加长版音乐电影 剧情上没什么意思 骑车的那段特写有点感觉是为了模仿CMBYN 音乐也不够好听 3星了事
戳爷颜值一星，马卡龙色调和画面一星，BGM一星，及格的同性恋题材作品。剧情勉勉强强，《请以你的名字呼唤我》给人印象太过深刻，这里的青春期荷尔蒙躁动还是稍有欠缺。权当HIV公益宣传片看了。
浓郁的夏日浪漫气息配上戳爷的颜真的挺好看的，三个月的成长。
太棒了太棒了艹。暑假的三个月、即将升学、自我放弃、点歌大卫鲍伊、自行车…我最难忘的21岁的夏天。
三星的电影，不过导演镜头下的戳爷太美，加一星，印度小哥也很戳我
虽然剧情单薄，但俊俏小男生用自己个人魅力撑住了整部电影，电影因你而闪亮。
戳多多演戏叭!又好看又会演!毕竟也是童星演员出道呢哈哈哈~
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