BBC最新纪录片，讲述地球的力量如何改变了人类的历史。2010年1月19日首播，共播出了5集：'Water'，'Deep Earth', 'Wind', 'Fire'，'Human Planet'。节目中，Iain Stewart教授带领观众探究几个世纪以来，地质学、地理学和气候是如何影响人类生活的。
我们的星球拥有惊人的力量，但却很少在教科书中被提起。这个系列节目第一次通过电视展现地球的神奇力量对人类发展的影响。节目将历史故事的讲述和炫目的摄影镜头紧密结合，给我们呈现一幅原汁原味的人类历史图景。
Iain Stewart tells the epic story of how the planet has shaped our history. With
spectacular images, surprising stories and a compelling narrative, the series discovers the central role played in human history by four different planetary forces.
Episode 1: Water
Professor Iain Stewart continues his epic exploration of how the planet has shaped human history. This time he explores our complex relationship with water. Visiting spectacular locations in Iceland, the Middle East and India, Iain shows how control over water has been central to human existence. He takes a precarious flight in a motorised paraglider to experience the cycle of freshwater that we depend on, discovers how villagers in the foothills of the Himalayas have built a living bridge to cope with the monsoon, and visits Egypt to reveal the secret of the pharaohs' success. Throughout history, success has depended on our ability to adapt to and control constantly shifting sources of water.
Episode 2: Deep Earth
Iain Stewart tells the epic story of how the planet has shaped our history. With spectacular images, surprising stories and a compelling narrative, the series discovers the central role played in human history by four different planetary forces. In this first episode, Iain explores the relationship between the deep Earth and the development of human civilisation. He visits an extraordinary crystal cave in Mexico, drops down a hole in the Iranian desert and crawls through seven-thousand-year-old tunnels in Israel. His exploration reveals that throughout history, our ancestors were strangely drawn to fault lines, areas which connect the surface with the deep interior of the planet. These fault lines gave access to important resources, but also brought with them great danger.
Episode 3: Wind
Professor Iain Stewart continues his epic exploration of how the planet has shaped human history. Iain sets sail on one of the fastest racing boats ever built to explore the story of our turbulent relationship with the wind. Travelling to iconic locations including the Sahara desert, the coast of West Africa and the South Pacific, Iain discovers how people have exploited the power of the wind for thousands of years. The wind is a force which at first sight appears chaotic. But the patterns that lie within the atmosphere have shaped the destiny of continents, and lie at the heart of some of the greatest turning points in human history.
Episode 4: Fire
Professor Iain Stewart continues his epic exploration of how the planet has shaped human history. Iain explores man's relationship with fire. He begins by embarking on an extraordinary encounter with this terrifying force of nature - a walk right through the heart of a raging fire. Fire has long been our main source of energy and Iain shows how this meant that the planet played a crucial role in Britain's industrial revolution, whilst holding China's development back. Along the way he dives in a mysterious lake in Oregon, climbs a glacier of salt, crawls through an extraordinary cave in Iran and takes a therapeutic bath in crude oil.
Episode 5: Human Planet
Series in which Professor Iain Stewart looks at how four geological forces have shaped human history. He explores the most recently established force, humans. It's easy to think of the human impact on the planet as a negative one, but as Iain discovers, this isn't always the case. It is clear that humans have unprecedented control over many of the planet's geological cycles; the question is, how will the human race use this power?
小视角固然是一种选择，然而导致了片中所有角色的极度扁平，即便是戴安娜。戴妃的困境绝不全然来自家庭的规训、婚姻的不幸；她自有她身为王妃的矛盾，她的悲哀，却也绝不该是安妮·博琳式的宫闱稗史。而拉雷恩则几乎将戴安娜视作一个可悲的、极度缺爱的精神病患者，一个一心追求自由内心空虚的怨妇：她脆弱不堪如同易碎的花瓶，她不断堕入幻觉不断地歇斯底里，她的反叛不过是换装、跳舞、在海滩上狂奔，她一面关心儿子们的安危、一面带着儿子们作无视前路的危险的飙车。可是，戴安娜竟然是这样的人吗？那么无数对准她的摄像头又是在捕捉些什么呢？只是要偷拍她换衣服吗？
当Sally Hawkins对Kristen Stewart说 "well actually , I'm in love with you. " 我的笑声响彻云霄。
硬是把五分钟的戏，拉到两个小时。
至少在影片结局，她已经是在奔向自由的路上了。节奏缓慢，倒是与本片风格一致，不过好像也过于神经质，幻想部分过于夸张了。七分
聚焦短短两三天的圣诞节皇家聚首，开头的迷路、破烂的外套、床头的安妮传记、脖颈的珍珠项链，情绪一直都在压抑，在潜藏，在爆发。相比流水账式的传记电影，这部反而以更加隐晦有效的方式展现出了皇室的枷锁与压抑、戴安娜的无奈与抑郁，精准无比的构图、配乐与表演更表现出了类似《闪灵》一般的沉寂与惊悚。拉雷恩在结尾给了戴安娜解脱，却又在最后一幕预示了这位天使终将折翼，留下无限慨叹。4星。
惊悚、焦虑、太悲伤。
简直就是小k个人时装秀🤤
满心想看戴安娜人物传记片的我走错了放映室惊悚地打开了一部心理悬疑片，小K的表演矫揉造作得怎么看怎么别扭，她天真地以为用尽全身力气就能饰演好复杂内心挣扎的名人，剧本台词一直在仿似精心制作的艺术化隐喻和愚蠢的日常对话间摇摆，整体观感极其不适，而这样的作品居然能拿到表演奖提名。
封建社会真的擅长吃人，especially in吃女人。令人惊讶的是评论区里对戴妃和女演员的情绪要求，你们这样也是在要求她做你们想要的那个人，这样和the👑有什么区别我看不出来。
戴安娜·斯宾塞恍惚分裂的精神世界。导演和小K都挺矫情的，要的那种感觉，演没演出来，拍也没拍出来。反倒是我看完还挺同情女王一家的。。圣诞夜聚餐，换到中国相当于年夜饭了吧，作为儿媳就这样说不清道不明的让一屋子人干等她一人，最终竟然还是没去！普通家庭都难以接受，更何况是整个王室了。。
镜头一直怼着小k的脸，是怕观众看不出她糟糕的面部管理和演技吗。
It's not just me who loves you!
每个人都有两幅面孔，在对应的场合就要演好自己的角色。小K很OK，满屏英音+皇家风光+舒缓钢琴曲很搭。
好好一个查尔斯王子，整得跟营养不良佝偻病一样。
镜头一直怼着小k的脸，是怕观众看不出她糟糕的面部管理和演技吗。
“这里没有未来，过去就是现在”让反叛的斯宾塞处于晃动的手持下，一旦被皇室身份压抑，立马变为工整镜头下的黛安娜王妃的焦躁不安，不断重复又不断积攒，成为古宅中历史的幽灵，在“变装蒙太奇”后撕掉衣服与珠宝的枷锁，笼中金丝雀如愿成为野鸡，那就难逃悲剧的发生。囧尼配乐和克莱尔的胶片摄影疯狂加分，奥斯卡冲起来，暮光之城这对儿发展越来越好了
「這屋裡說什麼都能被聽到，連心思也是。」我太能共情她了，壓抑自己的天性來適應世界。雖然KS的演技和口音很扣分，我仍然喜愛這部電影，因為我太懂這個女人發瘋的原因了，好像在看我自己，我一上網查，她果然是INFP。Fuck doctor, what you need is love.
3/5。比较有趣的观影体验。开头会觉得这表演别扭，看了二十五分钟直至中后段会开始觉得这嗯…气质风格“奇异”的“用力且带着脆薄别扭的神经质”的表演与影像风格和导演想表达的东西严丝合缝到令人心惊，说服力上升且展现出的综合气质极为美丽特别，但到了最后二十分钟，这种状态开始变得难以维持，像是被拉紧了太久的琴弦，开始喑哑、笨重、脱力、呆滞，然后是这个结尾……非常理解这个结尾，但在观感上完全对不起之前把这份心绪附着了幽魂的厚重感和压抑感：就这么简单地可以逃离吗？基调突然转变，使了很大的力道突然撤离，在为她的浮生半日逃离欣慰的同时也比较茫然。
首先要明确的是缩脖子含胸驼背并不是表达痛苦迷茫无所适从的最好和唯一方式。奇怪的咬字和重音，用气声并改变说话节奏，都是非常表面的演绎神经质的方法。漂亮的衣橱，香奈儿秀场，一生都与皇室格格不入，黛安娜个人的悲剧，没有任何跳出主流视角的故事。导演的品味高级，摄影精美绝伦，配乐渲染情绪，这三点三颗星。
她給孩子們送禮物，有人專門為她做甜品，有人愛她，我都覺得好開心，我的眼淚不停流。她很放肆，但這對她已經很有分寸。
Copyright © 2015-2023 All Rights Reserved
