With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
这部的父子情和新干线融入得真好，想成为世界的英雄，也想成为你的英雄。皮套大战也算是比较有新意的一次了。
3.这个故事容易令人遐想，刘备如果没有诸葛亮，还有谁会记得刘备？但实际上刘备信任诸葛亮或者说他们是一类人，而片中这二位是两类人，注定无法顺利合作。
贫富差距是实在看得到的，就老百姓周围看的到的，退休金都上万(哪怕是最基层和技术含量最小的)，企业退休的几千(一般企业两三千，我企业里退的比较高的，六千)，九亿退休金为0，好的几十块，就可以看得到光退休金一项，就有几十倍差距
作为五十周年纪念之作，有很多致敬之处，再现修卡组织，狩骑的点赞动作👍和一些台词，以及新骑士两人一体变身设定，电车作为线索等等，也算观影趣味了。
50年了，真不容易啊，希望能继续出佳作，此生无悔入坑假面骑士！
节奏流畅，完成度较高。
法国人的浪漫看来是刻在骨子里的，书信传递不仅仅是思念，还有那浓烈的爱意。爱情与性别无关，只与人有关，只要那个人是你就好，那句“我不同意”浪漫而又迷人。
韩国今年要选大统领了，电影圈提前给老百姓打好预防针。
联动剧场版和周年剧场版一块拍了。
拿着小医生无敌形态玩肉搏.....来打的战斗力永远是迷，好在文戏不拉胯，真威人饰演老爷子虽然情怀拉满但是违和感十足，脸实在是太嫩了。 @2022-04-29 12:21:52
挺有意思的 前半段女主真的像一个漫无目的的推土机 上了发条一样疯狂推土 认识了女作家之后 一下子节奏就缓下来了 很法国的一部电影
皮套大战yyds，剧情也有在好好写，真的还蛮不错发
献计，反间计，赢得党内总统候选人选举；
近几年观感最好的假面骑士剧场版，打戏精彩，文戏不拉胯，最后居然还有些泪目。
热烈的夏日 奔跑 一段恋情 被狠狠打动了！！！想触摸光又害怕被烫伤 大家都只是在能承受的范围内自我保护 我明白但也觉得很可惜
金大中算是韩国总统里唯一善终得了。韩国拍这类型政治片最近十年已经越来越熟练了，基本掌握了该类型片剧本的写法，不过该片不如前面优秀的，中规中矩。终究，还是选了一个总检察官当新总统。。。
2.每届政客慷慨激昂外衣下是同样的陈词滥调，人民以为是主人却只是陷入把实质权力规训为形式权利的轮回。
碎花连衣裙 烈日 海边 沙子 一个按耐已久的吻 一瞬间 一边有大胆一边有羞涩 女孩的热烈勇敢我行我素自由自在 女人的知性内敛克制温柔 让彼此吸引 爱最终战胜恐惧 一句 我不同意 终止了长篇大论 法式浪漫永远不会让人失望 “你真美”“你也是”阿娜伊斯的眼神演绎得太好了
是谁上了最终形态也还在演 是我卡密亚麻托马哒！
往后看还挺逗的，五颜六色的铠甲，七嘴八舌的大小号，五光十色的特效
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